Tuesday 10 March 2015

DJ Dazee Interview

Dazee, welcome to the first of our Female Drum and Bass Artist features! Kick starting for 2015.







Have you always found mixing easy or has it got easier as you progressed? 

It took a while to pick it up properly. I  remember doing my first demo mix (recorded on cassette tape) and  it was only about 20 minutes long because I couldn't get further without messing up! My flat mates called me DJ Sticky Glue because I wouldn't get off the decks, determined to learn my craft.


Bristol is your hometown, what is your favourite club there?

The last time I answered this question it stirred up a right old hornets nest so I’m gonna make sure the love is shared around a bit more this time lol!  To be honest - I like lots of them. We’re lucky in Bristol to be such a hub of club culture and have plenty decent venues to support that. I love  Motion and Lakota for the excitement of playing big events. Those two clubs are constantly expanding into more and more space so we cant get bored of them either, even after all these years! I like the 02 main stage for a very pleasant DJ-ing experience. I also heart  The Attic The Fleece and Basement 45, for underground vibes.


Your label, Ruffneck Ting has been running years now. When did that launch and what was your favourite release? 

I think the label launched around 95, a year or so after the club started. Favourite release back then was “Damn Right” by myself and Markee Substance as it was probably the first one I was really proud of.


Talking about women in our drum and bass scene, do you think that it's easier as we are a minority or harder as we have to prove ourselves, or do you not think it matters? 

Being the minority does make you stand out from the crowd but then you do have to work harder to be accepted and prove yourself . Maybe I speak for myself but I think that a typically female lack of confidence can be our own worst enemy. I know I still need to man up a bit, especially when it comes to releasing my own music!


Do you think sexism exists in the EDM scene with the amount of men to women booked on line ups or do you think it's because of the lack of women ratio to men? 

The higher ratio of men to women is of course significant but there’s still an inexcusable amount of sausage fests going on! The good news is women DJs seem to be more respected now and DJs like B Traits, Hannah Wants Annie Mac are seen to have a huge influence on the EDM scene.


Do you have a favourite Female artist that you looked up to? 

Well DJ Lisa (from Easy Groove and Lisa fame) was my first inspiration, Kemistry and Storm I massively admired and DJ Rap of course!


What DJ overall inspires you? 

Randall has always been a favourite but I also admire people like Saxxon who are fab DJs as well as producer dons.


Any countries you haven't played in that you would like to?

Iceland, Brazil, New Zealand, Australia , Ireland, Hawaii.


The good old question of - your favourite gig ever? 

Getting booked for Glastonbury last year was amazing, playing a rain forest rave in Puerto Rico was also amazing and back in 97, Universe. It was great fun plus they recorded my set and played it on radio one (one in the jungle).


Off your label, what tune are you really loving at the moment? 

Well I love all of them but have to say I was really pleased with Vytols ep when we finalised it. When he sent “Here Me Out” I played it on repeat for a whole night. Sad but true. Also I cant get enough of “Evolve” by jinx, “Classic” remix by Saxxon, “Getting Busier” by K-jah, “Musical War EP” by The Force and Habitat, “Red Planet” by Range and Kable.


Production wise, what Daw are you on and have you always used it? 

I use logic but started out with Cubase, a Roland 760 sampler and Atari computer. I used reason for a while too . I work on Cubase now a lot when on the co-labs and recently Studio One which seems like the splice of Logic and Cubase,


Can you give me a list of your favourite plug ins? 

At the moment I particularly  like Serum (synth), obviously waves classics L2 and SSL compressor im still using. Also isotope. I like logics stereo spread too . I need fab filter in my life tho.


What's your favourite track you have produced? 

I find it hard to have a favourite as I'm always  hearing them all with critical ears. I like co-labs  Porn Tune and Hustle (I wrote with Jinx) as they were done quickly . My remix for Dubbist, “My Girl’ seems to work ok too. I have too many tracks that I make and play out but don’t end up releasing but this is a problem I aim to fix!


What tracks are you working on now? 

Colabs for the label with jinx, k jah and Saxxon.


Who have you collaborated with? 

As mentioned above Jinx, K Jah and Saxxon. plus Dawn Raid , Octopi –and in the past I've also worked with Substance, D minds and Rap.


Who would you most like to colab with? 

Serum !


Why do you think women don't produce as much as men? 

Focus, creative confidence and nerdiness. You need high doses of all three and I don’t think the majority of women are naturally like that.


Balancing a DJ Career, with a Label and other commitments, what do you like to do to relax? 

Relax? What's that? Lol! No I do like to unchain myself from the computer and eat nice food and drink nice wine with my friends and family. Cant beat that. Or the odd hike up a hill.


Tea or coffee?

Both. Not together tho.


When I next see you, what's your order from the bar? 

Well if its before a set id go for nice bottled  larger . After a set, cider . If I'm off duty… lets get the shots in!  


Tell us one thing about yourself that people wouldn't know? 

I suffer from a serious condition known as Housework-a-phobia.


What gigs for 2015 are you really looking forward to? 

All of them but especially Love Saves The Day in Bristol in May and Italy in April and the Ruffneck Ting Takeovers over the coming year.


What track on your label are you excited about forthcoming?

I'm always excited about every track we release but Jinx’s forthcoming album should be a big look for the label.


Any other exciting news about friends or other artists we should be watching out for this year? 

Looking forward to introducing a  slightly different style to the label with our new signings Range and Kable.


Any shout outs and thanks? 

Thanks to all Ruffneck Ting artists for making quality music for the label and extra thanks to Jinx who’s helped so much with the label. Thanks to Colin KMag for all sorts of  help along the way since the relaunch, Big thanks to all the smashing people all over the world supporting the label and thank you all promoters who've taken a chance and booked some bird to come and play down your night!

Thanks for taking the time out Dazee!

Last question and part of our Female DNB Features... can you nominate the next lady please?

DJ Storm!

Dazee Soundcloud


Dazee Twitter 





Monday 29 December 2014

Pump Audio - The Best Earphones In The World?


Jumping Jack Frost signed an endorsement deal for Pump Audio recently. Harry Shotta is to produce his own version so I popped onto the Pump Audio blog to check it all out...

From popping a comment on, Pump Audio got in touch with me and offered to send me some earphones to try out.

I was dubious. What could be so different about these earphones?

A bit of background - I started mixing over 13 years ago with a pair of Sony MDR - V700DJ headphones. 

In 2003 I got Sennheisers and I haven't looked back. I have experience in audio monitoring and use a range of audio systems on a daily basis including Mackie HR824s in my studio, so I'd say I'm an audiophile and that my ears are relatively well trained.

Sound quality is extremely important to me when I listen to music.

I was pleasantly surprised that the bright orange cable came out over 4 feet long when I removed it from the smart packaging. Short audio cables are a pain in my life.

These little earphones are not replacing my DJ headphones, they have been designed for playback while exercising, for your MP3 players and iPod players, but aimed to work with higher quality files. I tested this and I have played back some high quality mastered wav files from my CDJ and laptop, against some lower quality files to see if I can hear the subtle differences and the bass response is amazing. I've done some moving about, and being female with a slightly smaller head (though that may be debatable to some people) these earphones sit great and don't slip out.

We're talking luxury, British made, impressive in-ear precision that does justice to your favourite music.  




Am I impressed? Yes. Sound technology is improving, which will improve the quality of the music that we listen to.....

I'm not a huge fan of MP3 players due to the quality loss and laziness of cramming MP3 audio onto USB sticks and such, and the loss of bass solidity - but technology is improving and file spaces are increasing in size, which means that high end earphones like these are becoming increasingly popular, which is great. Having affordable quality earphones will help improve the situation of poor quality music because you will be able to hear the difference. Cheap headphones do not give the same frequency response, so listening to a poor quality MP3 won't matter when you're listening through a cheap pair of headphones. Basically studio quality music is only as good as your set up. I hope that people start to engage more with high quality music with high end earphones like these, and understand the basics of learning to identify the subtle changes that lossy compression introduces.

As someone who is constantly pushing for Producers on my label to improve their sound, and after all the time, money, effort and expense that labels and Producers pump into making great music, it does beg the question as to why we bother when the average listener has a cheap pair of £6.00 headphones and downloading low quality MP3s. This isn't an affordability issue when a 5 year replacement warranty covers these Pump earphones, and with them being water resistant for someone like me who tends to be quite clumsy, it's a bonus. I spend more on trainers a year than what these Pump Audio earphones cost, so why would you compromise your favourite music?

If you bear in mind the average human hearing range is 20 Hz to 20 kHz, these earphones have been designed with that in mind. These are designed for premium audio playback and for people who listen and want to enjoy their higher quality music. Studies shows this also improves well being so surely that's a win win situation?

The overall sound that comes out of these headphones? Excellent. The design of the custom tuned drivers and the way these earphones snug in your ear giving complete noise isolation is great for identifying the separation in the music you are listening to.

For £99 and they can be brought from their website in orange or black these do say what they do on the tin, with incredibly good crisp clean highs.

You can pay up to £1000 for some complete noise isolation earphones (AKG K30003i) so these Pump Audio earphones are priced well. Reviews on the AKG even admit that portable sources aren't up to scratch yet, and until file spaces improve for larger higher quality files, it is pretty pointless forking out a grand. I've read some bad reviews on some websites but I would suggest that they take the time to listen to a range of high quality music, and be subjective with the price comparisons and then you can hear the clarity.

Yes you can get better sounding earphones for a higher budget - but for the price that these Pump Audio earphones are, you won't get better quality for price.

Am I endorsing these? Hell yes. Even the iconic bright orange cheers me up. To top it all off, the CEO Adam wrote a very touching blog 2014 into 2015, so it's a bonus this British company is run by some really great people, who are empowering people too.

Pump Audio Earphones
  • Frequency range:  20hz – 20khz
  • Sensitivity:  102dB (+/- 3dB)
  • Impedance : 18 ohms
  • Complete noise isolation
  • Specially tuned earbuds for small or regular/large ear canals
  • Specially custom tuned drivers
  • Weight:  <15g
  • 3.5mm gold connector jack
  • In line microphone
  • Specially designed to be suitable for exercising
  • Water resistant
  • Aluminium casing
5 year replacement warranty.

Pump Audio Twitter

Thanks for reading.


Free Music Is Always A Blessing

I love coming across good music and even better when it is a free download.

Please see below a collection of links of what I've found online.

Starting off with Veak and Bite Me, a little Ragga influenced intro dropping into some nicely produced jump up : https://soundcloud.com/veak/bite-me-and-veak-rockstone-free-download


DJ Fresh Interview 2010

I love popping back and listening to interviews that I did when I was doing regular podcasts. This is an interview taken from DJ Fresh when I was doing shows on Inspiration FM in Northampton, just before Fresh got his massive number one chart hits.

I thought Id reminisce and pop it back for 2015 to listen to.




I am hoping to grab an interview from a few more of my favourite artists for 2015.

Junglesoundz - January 24th 2015

Sid Braithwait and I got chatting online. He runs underground warehouse parties in Pyebridge.

He offered me a booking, and I offered to do some artwork for the night. It was the first paid artwork I've done, and Im slowly getting better. 

I love being creative. Making music, drawing or designing flyers. This is the flyer below, the facebook cover and the flyer so please feel free to upload and share. 

It would be great to see you there, it's my first time in Pyebridge and thanks to Sid for involving me.





Junglesoundz Facebook Here



Sunday 28 December 2014

Just a little ting


Most of my life I play DNB.
Mixing is my forte and I love to play it loud.
You got to stay sharp in this game. Mans be ready to see me fall flat.
I love the bass and I love the treble.
I ain't gonna stop so give it a rest.
Let's pause and rewind and stay natural.
I don't like to repeat beef.
www.missrepresent.com